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Stage Fright[Insert group photo] [Back cover] [French LP] [Gold CD] [Gold CD back cover] [Limited edition CD] [2000 reissue cover] [Sheet Music] [Charts and ratings]
For some reason, the mixing of the Stage Fright tapes was done independently by Todd Rundgren and by Glyn Johns in England, and their final results were quite different from each other. The 1994 Gold CD release of Stage Fright contain different mixes than the original release, according to the All-Music Guide:
If you think you know Stage Fright, take a closer look at this CD. The usual procedure for audiophile releases is to use the original released master of the album. DCC and producer Steve Hoffman did something different with Stage Fright, however, going back to an alternate mix that was prepared at the time of the album's completion. The group turned copies of the multitrack tapes from the Stage Fright sessions over to the album's producer,Todd Rundgren, and to engineer Glyn Johns, whom they'd met at the Isle of Wight Festival, and asked each to prepare a mix. According to one account, the album released in 1970 consisted of seven songs prepared by Rundgren and three Johns tracks, but it's also been claimed that the Johns mixes were all that were used (that fits with the credits of the original album). Hoffman and DCC went back to the mixes -- apparently those by Rundgren -- that weren't used, coming up with a version of the album that's completely different in every detail from the LP or other CD reissues from Capitol. The songs sound more raw, more "live" in the studio, and far more interesting than the relatively flat, smooth versions on the original album. The singing has a raw, immediate quality, and both the singing and playing have lots of wrong (but honest) notes that were buried in the official mix -- all of the material is different and, one has to say, better, making this worth the $30 list price. This version of Stage Fright puts it much closer in content and spirit to Music From Big Pink and The Band, which preceded it. And the sound is really good, too, with extraordinarily close, vivid textures on "Strawberry Wine," "The Shape I'm In," "The W.S. Walcott Medicine Show," "Daniel and the Sacred Harp," and the title track. DCC Compact Classics, the manufacturers of the gold disc version of Stage Fright, has its own discussion forum in which Steve Hoffman, the mastering engineer, participates quite often. Hoffman maintains that he used the Todd Rundgren mixes. He was informed of the liner notes of the 2000 reissue claimed he had used Glyn Johns' remixes, but Hoffman dismissed that claim, saying that whoever wrote those notes needed to do more tape research. (BTW, besides being a great mastering engineer, he is known for a incredible research in locating master tapes. Unlike Mobile Fidelity, he has never made a gold disc that came from inferior source material; often times companies will mark safety copies and various different dubs as the "original tapes" for various reasons, but Hoffman has always caught these discrepancies through research and through technical analysis, as dubs have certain technical characteristics the originals wouldn't have). When asked why he used the Rundgren mixes instead of the Johns mixes, this was what he said: "They were the first generation master mixes. The later ones were either third generation copies of the remixes, or the Todd mixes redubbed with extra echo." A limited edition Japanese CD, with very nice artwork and covers, but horrible lyrics transcriptions, came in 1998. In August 2000 Capitol Records released a remastered Stage Fright, produced (mostly) from the original master tapes, with 4 bonus tracks and a booklet with liner notes by Rob Bowman included (Band biographer Barney Hoskyns wrote the original liner notes for the 2000 reissue, but they were rejected by Capitol/ Robertson.) Remixed and expanded 50th Anniversary Editions of the Stage Frigth album was released on the Universal Music Catalogue label in 2021. Tracks(*: bonus track on 2000 CD re-issue)
Credits
Song-by-song Credits
Stage Fright - The Band - (35:41) - 1970 - Capitol SW-425 AMG Rating: Good
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